In recent years I have been trying to revive my drawing & painting skills by projecting them into the digital realm, mostly using a Wacom tablet.
This is part of what I see on a normal day at the office, when I turn my head to the left. I'm interested in the sense of depth receding in parallel horizontal layers, culminating with a very hazy image of the tallest building in the world.
This is part of what I see on a normal day at the office, when I turn my head to the left. I'm interested in the sense of depth receding in parallel horizontal layers, culminating with a very hazy image of the tallest building in the world.
The second one is a street scene from the area where I live. Unfortunately I don't walk around in the day time very much because it is just too hot. International City has only been occupied for about 10 years, but it's already looking a bit seedy, which I quite like. Human activity is asserting dominance over the architecture. It's messy, but it's honest.
Here's a blow-up of one corner. You can see that I'm just tracing over a photo. Is this cheating? What does cheating mean in the context of exploring your feelings about the place where you live?
The next one is an imagined landscape. I just started drawing, with no particular end in mind, exploring the capabilities of the medium, the usual tension between the abstraction of marks on a flat surface and the brain's eagerness to interpret everything as real-life objects from past experience. It's kind of a fake watercolour I guess. Striving for the impression of rapid, fluid gestures that somehow represent the essence of a tree, or the texture of long grass, or the rippling haze of distant mountains.
Taking that idea a bit further, here is my take on Cezanne. More abstraction and less landscape, but still the brain is looking to find cliffs and fields, stormy skies.
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